501
1.0

响舞

导演:
卡洛斯·绍拉
主演:
Aída Gómez,萨拉·巴拉斯,安东尼奥·卡洛斯,Marta Carrasco,Rosa Torres Pardo
别名:
未知
1.0
501人评分
其它
语言
2005-05-11
上映时间
未知
片长
简介:
年逾七十的索拉已拍過多次音樂舞蹈電影,被譽為真正的“歌舞片大內高手”,連《紅磨坊》Moulin Rouge導演巴茲魯曼的成名作《舞國英雄》Strictly Ballroom也受他啟發。05年的作品《嚮舞》Iberia是他第六度以佛朗明哥為題材的電影,但精力旺盛的他只要登高一呼,在全世界各大音樂廳表演的西班牙大師級舞蹈家及音樂家們,必定放下手邊工作,飛回西班牙參與影片的拍攝。  受到西班牙作曲家阿爾班尼士(Isaac Albeniz)「Iberia」12首組曲的啟發,《嚮舞》是一部完美結合西班牙藝術的音樂舞蹈電影。片中西班牙鋼琴大師蘿莎托爾斯帕朵(Rosa Torres Pardo)與舞者阿依達葛梅茲(Aida Gomez)等人皆是享譽國際的西班牙大師級表演者。  《嚮舞》全片在同一個攝影棚拍攝,但場景卻發生在西班牙十幾個城市,不僅日夜交錯,還在棚裡創造出大雨的氣勢,美術、場景及燈光的設計非常複雜,多才多藝的索拉不僅擔任本片的編導,也一手包辦所有場景的原始構想。總成本一億五千萬台幣的《嚮舞》,每天的拍攝都超過兩百多位的舞者、音樂家、歌唱家、以及工作人員,將偌大的攝影棚塞得滿滿的。  索拉集結了西班牙藝術表演之最,跨越媒材界線。從pure flamenco到new flamenco,在濃郁的佛朗明哥風情下,混搭著芭蕾、現代舞、佛拉明哥爵士與鋼琴Chano Domingo、古典國民樂派阿爾巴尼士的音樂與不同城市主題而呈現的不同曲風、實驗劇場表演,數位理性與肢體野性之交錯……西班牙頂尖藝術工作者傾巢而出,用豐沛的能量來創作這個世紀的《嚮舞》。  《嚮舞》的原片名“Iberia”一方面是伊比利半島的意思,另一方面也是“西班牙人”的意思。  向舞包含了佛朗明哥舞蹈的各种表演形式,每一个段落都捕捉到佛朗明哥舞的爱恨痴狂;舞台上充满力量却又细腻的舞蹈,将身体与心灵间的张力,柔美与劲道间的转换表达的淋漓尽致。从独舞到多人的轮舞,舞者混合着肢体的舞动和戏剧般的面部表情,让观众透过舞者的悲伤、喜乐、傲视、骄狠、热情、冷漠、诙谐、戏谑种种的表情,感受佛朗明哥似浅却深的魅力。此外,萝莎优雅的钢琴独奏到气势磅礴的管乐团演奏行进曲,吉普赛式真情的吟唱,音乐已不只是佛朗明哥舞的配角,而是与舞步相呼应着观众的呼吸起伏。
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主演:加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫
简介:Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.  Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...  Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.  The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
382
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