567
1.0

研究者

导演:
VJ Khanna
主演:
维杰·达兰·达特拉阿贾伊·戈什西姆兰·古普塔
别名:
未知
1.0
567人评分
泰卢固语
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上映时间
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片长
简介:

维克拉姆在巴士上邂逅了一位名叫阿努的女子,并被她深深吸引,于是跟随她来到一个偏僻的森林村庄——马雷杜科纳。然而,当地人却声称阿努早已死去,这令他震惊不已。更糟糕的是,他认识的这个女人竟然与一位在医院火灾中丧生的医生同名。在阿努生前工作的那座废弃医院里,阴森的树林和昏暗的走廊中,谋杀案接连发生。当地的警探和一位权势显赫的政客开始散布谣言,称阿努的鬼魂是这些谋杀案的幕后黑手。与此同时,一名侦探也惨遭杀害。维克拉姆必须解开交织着爱情、身份和超自然传言的迷网,才能揭开真相,并弄清阿努究竟是生是死。

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简介:Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.  Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.  Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.  No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.  A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.  Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.  In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.
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