安魂曲 2006

简介：清末，欧洲探险家泰莱来到新疆并发现一件1000多年前的中国古物，他断定卖古物的摊主就是能将他带往沙漠古城的理想向导。沙俄驻喀什领事找到了摊主的主人，并推荐外号“东方通”的俄国青年军官毕齐柯夫给泰莱当翻译和助手。摊主依卜拉因与孙子巴吾东被迫带领探险队向塔克拉玛干大沙漠进发。途中，狡猾的毕齐柯夫识破了依卜拉欲将探险队拖垮的计划，残忍地将他折磨死。古城的文物被侵略者们洗劫一空，而塔克拉玛干地图被毕齐哥夫偷走。10年后，毕齐柯夫率队勘测塔里木河，长大成人的巴吾东认出仇人，将他们引进急流，毕齐柯夫侥幸逃生。30多年后，新疆解放不久，解放军的勘测队在莽林中迷路，以毕齐柯夫为首的流窜土匪也隐藏在丛林中，巴吾东求巫师挽救垂危的女儿，却迎来了毕齐柯夫派去杀害他的强盗。解放军及时救出了巴吾东父女，巴吾东弄清情况，主动要求给我军担任向导。最后，巴吾东与宿敌毕齐柯夫同归于尽。

简介：东都综合医院为一位疑难病症患者投放新型药物，仅仅三天后该患者突发心肌梗塞身亡。患者遗孀中原纱弥加（吉濑美智子 饰）悲痛交加，她认为丈夫死于医疗事故，因此拜托“敲诈律师”九条和马（大森南朋 饰）对医

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刑警队长马红旗和队员小唐在押解毒贩时，一时疏忽让犯人跑了，两人因此被上了重大的精神包袱，最终决定踏上征途，为自己洗清罪名

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马大力（高虎 饰）是个患脑瘫的残疾人，护士刘小蓉（赵平 饰）在与其接触中产生感情。不久，已怀孕的刘小蓉突然离开了马大力，此时，大力创办的残疾人康复中心已对外开放。残疾人李云（王群 饰）在农贸市场遇见前男友陈刚，两人碰见流氓滋事，趁李云报警之时，流氓把陈刚打成重伤。李云拿出全部积蓄为陈刚治疗，同时柱着拐杖四处寻访目击者，以期抓获凶手。社会各界被李云身残志坚的行为所感动，纷纷解囊相助。不久，派出所通知她行凶的流氓已抓获，同时见义勇为办公室将李云的先进事迹在全县通报表彰。次年，北京召开全国残疾劳模表彰大会，大力与李云双双登上天安门城楼......

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影片讲述患难与共的两个家庭因为一场有隐情的意外被迫疏远，他们在时代洪流下历尽伤痛与不安，人生起伏跌宕，最终选择面对真相，坦荡向前的故事。年轻的刘耀军和沈英明两家人本是挚友，两家儿子沈浩和刘星在郊外嬉戏中，耀军的儿子刘星意外身亡，此事彻底改变了两家人的命运。刘家夫妇远赴南方。多年后，容颜已老的他们再次相聚，隐藏的真相终将因为年轻一代人的坦荡而揭开。岁月流逝，生命滚滚向前……

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安楚儿（郭碧婷 饰）同男友相恋多年，两人之间感情十分要好，不出意外的话，他们很快就将携手步入婚礼的殿堂，结为伉俪。然而，就在这个节骨眼上，安楚儿竟然执意要将自己的一半肝脏捐献给在车祸中受伤的游泳运动员易华天（张宁江 饰），她的这一举动直接导致了男友的离开。奇妙的联系让安楚儿和易华天渐渐走到了一起，在车祸中，易华天失去了一条腿，被迫就此告别赛场。在安楚儿的陪伴和鼓励之下，易华天决心正视生活中的种种困难，并且坚持自己热爱的游泳运动。最终，易华天凭借着自己的努力，终于获得了残奥会游泳项目的冠军，然而，就在此时，安楚儿竟然选择了离开。©豆瓣

简介：在这部广获好评且具有突破性的特辑中，荤腥不忌的笑匠兼电视节目主持人伦敦·休斯回首前尘，讲述各种露骨轶闻和狂野故事。

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一群同事坠落在一座他们无法逃脱的神秘岛屿上。当他们遇到一群嗜血的生物和恐龙时，他们发现自己并不孤单。他们能在岛上生存下来吗？

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经过连年征伐，一代帝王明成祖朱棣（王心刚 饰）御驾亲征，平定西北，所向披靡。班师回朝途中，朱棣途中否决了锦衣卫指挥使纪纲荡平南洋十五国的建议，决定休养生息，与民为安。他遵从先帝的教诲，打算遣使修好。适逢此前苏禄国王（维克 饰）有意亲自来上邦朝见。与此同时，苏禄国正在修造大船，准备如期出航，谁知部落酋长阿尤布心怀不轨，事事掣肘。国王不为所动，排除万难带着王子向中国前进。历经千难万险，苏禄使团终于抵达中国。只不过世代和好的道路上还有许多的考验，两个一国之君将携手守护那来之不易的友谊与和平……©豆瓣

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

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一个不自信的 17 岁少年在向他的暗恋对象——变性同学求婚时，彻底颠覆了他的高中生活。

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命运多舛的男主天煞自幼顽劣，被部落视为灾星，因此导致家中横遭不测，父母殒命，自己也跌落深涧、幸而大难不死却误入狼王领地，而狼群恰是被一件天外飞来的法器通天塔的魔力变化成狼的先前的牧族将士，自此与狼群为伴，隐匿山林，在艰苦的环境中磨砺出非凡的本领并长大成人，终究还是思念故土以及惦念儿时的玩伴，继而走出山林、踏上归途，遇到蛊族少主为非作歹，遂出手教训，杀死了恶少，又遭遇原生部落被野蛮凶残的蛊族人血腥屠戮，天煞奋起抗争，仅凭赤子丹心、豪气干云，带领狼王斗杀魔王。