新毛驴县令之镇棺古兽
7.0 |2025年12月12日 |片长98分钟 |正片 |共1集
简介:

 高大官来到偏远小城穷途县担任县令,不过这里一直都有古兽吃人的传说。三年时间里,县里的人每年通过祭祀古兽来换取短暂的安宁,但这导致百姓都没有足够粮食吃,经常会有人饿死。后来高大官通过探查得知,背后的始作俑者就是带领大家祭祀的麟老。麟老曾在十年前带着身染天花的儿子乞讨到这里,后来儿子被县里的人抢去扔到山下,企图通过这种方式来化解瘟疫。从那时起,麟老就打算向全县城的人报复。他收养了一名女孩,并把她培养成了武功高强的人,然后伪造出古兽伤人的谣言,为的就是把大家的粮食都骗走。直到高大官的到来,识破了麟老的诡计,最后麟老想烧死剩余人的计划也被阻止。

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简介:

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主演:艾拉·娜兹莫娃
简介:Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.  Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.  Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.  No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.  A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.  Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.  In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.
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