简介：The Speed Sisters are the first all-woman race car driving team in the Middle East. Grabbing headlines and turning heads at improvised tracks across the West Bank, these five women have sped their way into the heart of the gritty, male-dominated Palestinian street car-racing scene. Weaving together their lives on and off the track, SPEED SISTERS takes you on a surprising journey into the drive to go further and faster than anyone thought you could.

简介：本片以四川的一个村庄为个案，采用影视社会学的深描方法，通过长达三年的观察和记录，以点带面地折射数亿中国农民在特定的政治、经济和文化环境中所经历的独特的民主自治历程。

简介：Francisco Regueiro - 60-70年代西班牙新电影时期杰出的作者电影导演。

简介：在1950年初成立，在斯大林的个人崇拜。故事开始在省城。 tomek的父亲，一个家庭军队的前成员被逮捕，所以离开母亲抚养两个孩子单独的任务。楼上的邻居自杀，当她的丈夫也被逮捕并运到战俘营。这是冬天，让孩子保持在学校他们的手，温暖的手打败自己。在学校教师的平均，狭隘的理想主义者，当他们问孩子们去教堂星期日，全班站起来打败宣传课的目的。 tomek被送到培训学校在夏季。在那里，他把他的头抽水思想吸收，当他的父亲从监狱获释，他发现另一个男孩他已经离开了。　　by Google translate

简介：一个善良单纯的男孩独自生活在边界地带上。他每天无忧无虑，靠着垂钓生活。他已经将这个地方选定为自己隐居与享受宁静的地点。有一天，一个陌生人的出现打破了这一切，带走了他的平静生活。伊朗影片《无疆界》荣获东京国际电影节最佳亚洲影片，是导演阿玛.侯赛因.阿斯加瑞（AmirHosseinAsgari）自编自导的第一部电影。片中没有过多的台词和音乐渲染，朴实的镜头和小演员真诚的表演却带来前所未有的冲击，让这个故事真实而感人。

简介：Based on the novel by Karel Capek, the prominent Czech writer of the early 20th century who coined the word robot for his play R.U.R., the story revolves around a discovery of Krakatit - a powerful explosive - by Prokop, an experimental scientist who, following an accidental explosion in his lab, slips in and out of delirium. When he realises that, in a delirious period, he has given the formula for making Krakatit to one of his colleagues, he tries to find the man, who does not realize how dangerous a thing Krakatit is. In the process, he nearly gives his discovery away again to foreign interests, a group of anarchists, and even greater forces of darkness...

简介：一个男人因为凶杀案含冤入狱，而真正的凶手则逍遥法外。凶手是一位文人，对祖国接连不断发生的背叛事件和人心冷漠而感到心寒。身陷囹圄的男人在遇到一些奇怪神秘的事件后，感到牢狱生活似乎不再那么难以忍受。

简介：In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

简介：卡梅纳尔（若尔特·拉斯洛 Zsolt László 饰）是一名侦探，不久之前，他的女儿死于非命，女儿的死如同乌云一般死死的笼罩在卡梅纳尔的头上，让他不禁开始了自暴自弃的生活，和妻子之间的关系也濒临破裂的边缘。　　一天，卡梅纳尔接到报案奔赴现场，让他没有想到的是，这次案件的嫌疑人佩特拉（Nóra Lili Hörich 饰）正是女儿曾经最好的朋友，不仅如此，卡梅纳尔一直认为，女儿的死，佩特拉应该负主要责任。佩特拉的出现让卡梅纳尔找到了给女儿报仇的机会，这让他的人生重新燃起了希望的火焰，但随着调查的深入，种种线索都表明了佩特拉的清白无辜。

简介：影片讲述财务部女监察探员(格蕾斯饰)负责押运一批6亿美元残旧货币到碎钞厂处理，然而当地罕见的飓风灾难即将来临，一群全副武装的盗贼想在居民全部疏散后“乘风打劫”，而当飓风达到致命的5级之后，所有精心计划都被打乱，他们发现需要一个金库密码，而这个密码只有女监察探员知道，她和所被劫持人质的生命面临威胁，在和滞留当地气象学家（凯贝尔饰）结盟后，后者的弟弟也被盗贼绑架，两人不得不联袂面对飓风和匪徒，在历经惊险刺激后最终战胜了盗贼和飓风灾难。

简介：墨西哥恐怖片，豪尔赫，一个古怪的、孤独的医生，为了让她的女邻居伊莎贝尔成为他的女人，绑架了她并通过各种手段让她服从；但外表往往隐藏着更可怕的真相.......男主豪尔赫、女主伊莎贝尔以及女主的男友之间到底有什么不可告人的秘密？？？？一个男人愿意做任何事情让一个年轻女子无条件地爱他

简介：埃及的叛军领袖史梅恩的妻子和孩子被英国人绑架了，为了救出自己的亲人，并且与英国人对峙，他派人将苏伊士运河工程师的孩子，15岁的斯达西和8岁的尼尔绑架，企图作为人质进行交换，他们的父亲很快发现孩子被绑架，组织了一个营救队进行营救。　　两个孩子还没有被交到史梅恩手上，叛军已经攻破了囚禁史梅恩妻子与孩子的城市，史梅恩派了一个白人手下去杀掉两个孩子，这个人心地十分善良，他不忍心杀掉两个无辜的孩子，决心帮助他们逃出沙漠，回到自己父亲的身边。他带着两个孩子去见城市的精神领袖，希望他们承诺改变信仰，得到活下来工作的机会，可是斯达西却坚守自己的信仰，拒绝他们的帮助，他决定带着尼尔前往下一个城市，这时，他们遇见了两个小奴隶：米亚与卡里，卡里的部落酋长的儿子。白人手下交待他们，只有跟随米亚与卡里，他们才能在沙漠里活下去，四个人踏上了回家的旅程。　　一路上，凭着坚忍不拔的意志，他们共同克服了许许多多的困难，奇迹般的在沙漠里活了下来，并且结下了深厚的友谊，还结识了许多动物朋友，可是，他们依然不知道哪里才是回家的路。一晚，尼尔在沙漠感染的病再次发作，斯达西为了让她继续活下去，支身一人前往可怕的森林那头有人烟的地方寻找药物。他认识了将死的绘图学家，绘图学家告诉了他们前进的方向，他们终于看到了回家的希望。沿着绘图学家指的路，卡里很快找到了自己的部落，可是此时老酋长已经被推翻，新酋长为了维护自己得到的权利，要杀了卡里，危急时刻，斯达西和米亚冲破重围营救他，却寡不敌众，就在这危急的时刻，尼尔带着大象朋友赶来救了大家。　　卡里成了部落的酋长，他带领几个手下，带上足够的水和骆驼，打算送斯达西和尼尔回家，可是半路中，其中几个手下叛变，趁他们熟睡的时候偷走了水和骆驼，而此时往回走也没有足够的水了，他们只得继续往前，在沙漠里，没有水只有死路一条，大家互相扶持着，鼓励着，可还是到了坚持不住的时候，朋友们一个个倒下。斯达西也开始想着放弃，突然，远处的热浪中，出现了父亲组织的营救队的身影，他们终于得救了……

简介：Akil (KIL), a quiet and depressed young man sees suicide as an solution though he never succeeds in pulling it off. A chance encounter brings him face to face with the Life Action Bureau or LAB, an organization that will help him end his life. But after being bound to LAB's terms and conditions, he meets pretty and vivacious Zara with whom he eventually falls in love with and gives him a reason to live. The new Akil who embraces life must now race against time to undo what he has set in motion before he gets killed.

简介：On an emotional journey in Morocco, an entrepreneur pieces together the turbulent life of his estranged mother and meets her adopted daughter.

简介：亚历山大（米基·哈特 Mickey Hardt 饰）的父亲经营着一家香水公司，亚历山大拥有与生俱来的灵敏嗅觉，对香味非常的敏感，因此在事业上给与了父亲许多的帮助。一次偶然中，亚历山大邂逅了名为托尼（瓦莱丽·涅豪斯 Valerie Niehaus 饰）的美丽单亲妈妈，并且震惊的发现托尼的儿子雅诺士拥有着异于常人的嗅觉。　　亚历山大想要培养雅诺士，帮助他成为一名调香师，但是托尼却拒绝了他。然而亚历山大并没有放弃，雅诺士自己也很愿意涉足香水这一行业。随着时间的推移，托尼发现自己渐渐爱上了亚历山大，而亚历山大和雅诺士共同研制出来的爱情香水也诞生了。

简介：A failed treasure hunter tricks his girlfriend into going on a vacation to Mallorca, hoping to both fix the relationship and find the legendary Ghost Dagger, with deadly consequences.

简介：在经历过创伤后，Inés患上了睡眠障碍，并被恶梦缠身。梦寐以求的人物想占有她的身体吗？ Natalia Meta制作的高度原创的心理性惊悚片。

简介：约娜（19岁）在完成学业后即将离开她的小镇，去大城市，享受大城市的生活，直到她晚上被一个男人袭击。她被30岁的女人Piki救了，爱上了她。

简介：Six years after her husband, a prominent Belgrade lawyer, died in a fire, Anja Kolar receives information that makes her question everything she thought she knew about the accident and about her own family as well. At the same time the sudden death of his best friend's daughter draws police inspector Dejan Strbac into a whirlpool of crimes, starting with the mysterious disappearance of a young female lawyer, which took place six years earlier.

简介：师承阿巴斯，年仅二十六岁的法巴夫的导演处女作。故事开始于一对夫妇的深夜争吵，留下小男孩阿夏一人在家，清晨时分，却传来父母车祸身亡的噩耗，只好由以手语沟通的伯父母接他回德黑兰。三人一车的静默，大人该不该把死讯「说」给小孩知道？不倚赖语言、无声胜有声的公路电影，场面调度精彩，更有细腻人性的呈现。

简介：考古学教授和古董收藏家，Laphin，去跋涉在丛林深处的柬边境有两个导游看到一个古老的宫殿。他们看到一个疯狂的人，当他看到他们，然后扔下一个小的猴子雕像。他们保存它。他们继续旅行，来到一个村庄，那里的居民都被似乎是动物的东西猛烈地杀害了。他们离开村子遇见了一个饥饿的人。他们和他分享食物，并告诉他关于雕像和村庄的事。他警告他们，如果他们继续像是传说中的怪物，名叫“Kong Koy”的猴子盖一个小圣衣或面对“邪恶”。他把布给他们，然后走了。他们回到家里，雕像被教授的一个学生乔偷走了。他去掉防护布和召唤怪物的猴子。当乔，Laphin的女儿优优（rungnapa“安妮”布鲁克，Sherry Ann）和她所有的朋友有一个毕业派对野兽袭击。

简介：Would you believe in a policewoman who suffers from such serious panic disorders that she is afraid to get close to any crime scene and has been on permanent office duty for more than a decade Would you believe a lone mother who is unfit to pay her mortgage and also raise her rebellious teenage daughter Indeed, no one believes that the troubled ex-detective has discovered a serial murder case. Personal dramas and a murder mystery unfold in present-day Budapest, where demonstrations are part of the pre-election life of a city still trying to cope with the shadows of its historical and recent past. It is a city where nothing seems honest and true, except through the eyes of an emotionally unstable policewoman and her misfit daughter who wants to know who her father truly was.　　入围第32届华沙电影节新导演单元

简介：“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.　　The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.　　As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.　　“Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.

简介：南达·高普兰·库马兰(Nandha Gopalan Kumaran),简称NGK,为人善良,乐于助人.他是个高材生,在跨国大公司工作了两年后便感觉厌烦,便回乡下召集一帮人搞有机农业.期间他目睹和见证了政治党派的巨大力量.可是他的有机农业对一些行业产生冲突,于是被警告,他无视,结果有机农业田里被化学毁坏,参与人员及家庭遭到破坏.无奈之下,他唯有去求当地政客,一立法议员.而立法议员帮他搞定,回报是他得带500个年轻人加入他们党派.　　于是,NGK被迫涉政.本以为涉政了就可以顺风顺水了,可是,政坛水很深啊,他一个政坛新人能扬名立万吗.......